Roy and his friends expose the misdeeds of Sahadevan, a corrupt politician, and soon the friends are found murdered. Later, when Roy dies of an illness, Jayan discovers Roy and Sahadevan's past.

Six confused, dis-oriented cadets in an Indian Army academy face many obstacles, yet stand together.

At the height of the Cold War, newly formed NASA selects seven of the military’s best test pilots to become astronauts. Competing to be the first in space, these men achieve the extraordinary, inspiring the world to turn towards a new horizon of ambition and hope.

At the dawn of the Space Race, seven test pilots set out to become the first American astronauts to enter space. However, the road to making history brings momentous challenges.

The loss of youth and innocence can be played for comedy or tragedy. The stunning black-and-white cinematography and hypnotic electric guitar that fill "Left Foot Right Foot", as portentous as they are beautiful, are a pretty clear indication which side of the coin photographer Germinal Roaux intends to focus on in his first feature.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

Two Wrongs Make a Right is a 2017 Chinese-Hong Kong romantic comedy film written and directed by Vincent Kok, starring Vic Chou, Fiona Sit and Ronald Cheng

主角真壁一骑所居住的龙宫岛有着平稳无波的每一天。和青梅竹马的皆城总士和远见真矢他们一同平静的生活，却突然间被破坏了。少年们视为理所当然的和平，实际上只是虚伪的幻影，他们在岛上的平静生活，不过是巧妙地制造出来的假象。袭来的敌人剥去了这层薄纱般的欺瞒之时，少年操纵着巨人，为了保护无可替代的朋友与家人，以及有着深切情感的岛屿。因守护宝物而忘却了心的龙，再次张开了它的獠牙。 　　和平 家族 同伴 　　少年少女们为了这些珍贵的事物，而不断的战斗着。不管什么时候，只要能在龙宫岛上生存下去，便是幸福，即使这是虚伪的乐园，假造的现实，也无法抹灭曾在这岛上生活的人们的珍贵回忆。他们努力着，直到龙宫岛能恢复成真正的乐园那一天。 　　这是属于他们的既悲伤又欢喜的故事。

Arthur, 15, has a crush on Ouassima, who does not even look at him... While he has never been upset, she goes out with Matt, the handsome kid from college. To get closer to her, Arthur gathers a group of single losers and offers to give them lessons in fishing, at 10 euros per lesson. In the changing rooms of the swimming pool, a long intimate and collective learning begins on "girls and love: instructions for use".